ILMA of the Week: Oscar Niemeyer
Posted: June 5, 2013 Filed under: Architecture, ILMA Architect of the Week, JustArch, More FC3 | Tags: Architect, Architect of the Week, Architecture, Design, Designer, Feature, I Love My Architect, ILMA, Modern, Oscar Niemeyer 1 Comment »Oscar Ribeiro de Almeida Niemeyer Soares Filho is considered to be a pioneer in creating new possibilities for using the reinforced concrete just for aesthetical reasons. He started with designing the first state-sponsored skyscraper in the world, for the Brazilian government. It was completed in 1943 and after decades it was recognized as the first example of Brazilian modernism.
He was part of the international team that designed the UN headquarters in New York and his conceptual plan was the main source of inspiration for the constructors. His membership in the Brazilian Communist Party limited his chances of working in the United States and got him exiled up until 1985. By the time the exile ended, he designed the main administration buildings in Brasilia, the country’s new capital city.
While in Europe, he created several buildings, including the headquarters of the French Communist Party and the Mondadori Publishing House office near Milan. After returning to his home-country, Niemeyer continued to design impressive structures around Brazil such as: Niterói Contemporary Art Museum, the Catedral Militar Igreja de N. S. da Paz, the Memorial dos Povos Indigenas and many others. At his age (103), he continues to work at his office in Rio de Janiero.
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FC3 ARCHITECTURE+DESIGN, LLC
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ILMA of the Week: Frank L. Wright
Posted: May 31, 2013 Filed under: Architecture, ILMA Architect of the Week, JustArch, More FC3 | Tags: Architect, Architecture, Chicago, Design, FallingWater, Frank L. Wright, Guggenheim, Museum, New York, NYC, PA, Pennsylvania 3 Comments »Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, 1959) was an American Architect, interior designer, writer and educator, who designed more than 1,000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935) featured in the photo above, which has been called “the best all-time work of American Architecture“. Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States.
Wright’s portfolio includes original and innovative examples of many different building types, including offices, churches, schools, skyscrapers, hotels, and museums. Wright also designed many of the interior elements of his buildings, such as the furniture and stained glass. Wright authored 20 books and many articles and was a popular lecturer in the United States and in Europe. His colorful personal life often made headlines, most notably for the 1914 fire and murders at his Taliesin studio. Already well known during his lifetime, Wright was recognized in 1991 by the American Institute of Architects as “the greatest American architect of all time.”
Wright’s most famous private residences —Fallingwater— was built from 1934 to 1937 for Mr. and Mrs. Edgar J. Kaufmann Sr., at Mill Run, Pennsylvania, not too far from Pittsburgh. It was designed according to Wright’s desire to place the occupants close to the natural surroundings, with a stream and waterfall running under part of the building. Wright wanted the new residences to live with the waterfalls, to make them part of their everyday lives. He didn’t want them to just look at them every now and again. Constructed over a 30-foot waterfall, the house may look very big on the outside but on the inside it is quite small, which surprises some visitors. It was made with three bedrooms, a massive living room and a dining room. The house was more of a design for a family getaway not for a live-in family. The construction is a series of cantilevered balconies and terraces, using limestone for all verticals and concrete for the horizontals. The house cost $155,000, including the architect’s fee of $8,000. It was one of Wright’s most expensive pieces. Kaufmann’s own engineers argued that the design was not sound. They were overruled by Wright, but the contractor secretly added extra steel to the horizontal concrete elements. In 1994, Robert Silman and Associates examined the building and developed a plan to restore the structure. In the late 1990s, steel supports were added under the lowest cantilever until a detailed structural analysis could be done. In March 2002, post-tensioning of the lowest terrace was completed.
The iconic “Guggenheim Museum” (also featured in the photo above) is located in New York City. This project kept Wright occupied for 16 years (1943–1959) and is probably his most recognized masterpiece. The building rises as a warm beige spiral from its site on Fifth Avenue; its interior is similar to the inside of a seashell. Its unique central geometry was meant to allow visitors to easily experience Guggenheim’s collection of nonobjective geometric paintings by taking an elevator to the top level and then viewing artworks by walking down the slowly descending, central spiral ramp, the floor of which is embedded with circular shapes and triangular light fixtures to complement the geometric nature of the structure. However, when the museum was completed, a number of details of Wright’s design were ignored, such as his desire for the interior to be painted off-white. Further, the Museum currently designs exhibits to be viewed by walking up the curved walkway rather than walking down from the top level.
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FC3 ARCHITECTURE+DESIGN, LLC
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e-mail: fcunha@fc3arch.com
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ILMA Features Aspiring Architect, Ian Siegel
Posted: May 30, 2013 Filed under: Architecture, Expose, JustArch, More FC3 | Tags: Architecture, AvanteGarde, Concrete, Design, DesignAllDayAndNight, Glass, green, Ian, Ian Siegel, Modern, Portfolio, Solar, student 1 Comment »About Ian Siegel
Ian Siegel, a recent graduate of NJIT’s College of Architecture and Design, is featured in an interview on the Student Showcase section of the website for Autodesk, an American multinational corporation that focuses on design software for use in the architecture, engineering, construction, manufacturing, media and entertainment industries. Learn more about Ian by clicking here.
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- @FC3ARCHITECTURE – Parachute Pavilion (Coney Island, New York)
- @FC3ARCHITECTURE – @DisneyPixar Make-A-Wish Tree House
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- Team New Jersey To Make Precast Concrete Solar House Reality
- @RutgersU and @NJIT Compete in 2012 Solar Decathlon
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Frank Cunha III
I Love My Architect – Facebook
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in CT, DE, FL, NJ, NY, PA.
Lavaflow 7 Residence, Big Island, Hawaii by Craig Steely Architecture
Posted: May 29, 2013 Filed under: Architecture | Tags: Architectural Record, Architecture, Asthetic, Avante-Garde, California Home and Design, Client, Craig Steely Architecture, Design, DWELL, Hawaii, Home, LA, Los Angeles Times, Modern, New York Times, NY, San Francisco Chronicle, Sunset 4 Comments »About the Architecture
Located on five acres of dense Ohia forest, this cast-in-place concrete house (Lavaflow 7) frames indoor and outdoor living spaces along with views of the forest, the sky, and the coastline. It continues our exploration of a reductive architecture that enhances the experience of living in this compelling environment.
The main feature of the house is a concrete beam, 140 foot long, 48 inch tall x 12 inch wide running the length of the building with only three short concrete walls supporting it along its massive span. The concrete beam allows for sizable spans of uninterrupted glass and covered outdoor space, creating a permeable edge between the man-made and nature, amplify the sensation of living in the Ohia forest.
About the Architect
Craig Steely Architecture is a San Francisco and Hawaii based Architect. He received his Architecture degree from Cal Poly, San Luis Obispo. While there, he was awarded a scholarship for international study and spent his thesis year in Florence, Italy studying with Cristiano Toraldo di Francia formerly of SUPERSTUDIO. After returning to California, he opened his architecture studio in 1995. Craig has been a guest lecturer at the University of California at Berkeley and at Cal Poly and at many conferences including the Monterey Design Conference. His work has been awarded recognition by the American Institute of Architects and published widely in books and periodicals, among them Dwell, Sunset,Architectural Record, California Home and Design, the Los Angeles Times, the San Francisco Chronicle, and the New York Times. In 2009 he was selected as an “Emerging Talent” by the AIA California Council. Click here for more information about Craig Steely.
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
- Photo Credit: Craig Steely Architecture
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FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
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Licensed in NJ, NY, PA, DE, CT.
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@FC3ARCHITECTURE – Restoration to a Custom Home – Currently Under Construction (Northern NJ)
Posted: May 25, 2013 Filed under: Architecture, More FC3, My Firm | Tags: Architect, Avante-Garde, Contractor, Design, Details, Drywall, East Coast Architect, FC3 Architecture, Hire Us, Home, Home Repairs, improvements, NJ, Paint, Pro, professional, Renovation, Residential, Restoration, What We Do, Wood Floors Leave a comment »FC3 Architecture + Design LLC was brought on board as the design professional to address the damage to this existing home due to plumbing failures. This large four-bedroom suburban home located in Northern NJ (approximately 5,690 square feet) is in the process of being completely restored — just about every square inch of the home was damaged, repaired, and restored. This presentation chronicles the “before” and “during construction” photographs. We hope to upload the photos of the final project in the near future.
PROJECT COST:
Withheld
HOME OWNER:
Withheld
CONTRACTOR:
QUALITY CONSTRUCTION & DESIGN, LLC
17 New Hampshire Street
Newton, NJ 07860
ARCHITECT:
Frank Cunha III, AIA, NCARB, LEED Green Assoc.
Principal / CEO / Registered Architect
Licensed in CT, DE, FL, NJ, NY, PA
Website: http://www.frankcunha.com
ARCHITECTURE FIRM:
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335
Hamburg, NJ 07419
Tel. (973) 718.4640
Fax. (973) 718.4641
Email: fcunha@fc3arch.com
Website: http://fc3arch.com
Blog: https://fc3arch.wordpress.com/about-frank
I.LM.A. Team
I Love My Architect – Facebook
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NEWS FLASH – @FrankCunhaIII Update
Posted: May 23, 2013 Filed under: Architecture, More FC3 | Tags: Architect, Design, FC3, Green Associate, LEED, NCARB, News Flash, Update, USGBC 4 Comments »Dear friends, clients, and colleagues,
We are happy to report that Frank Cunha III, founder of FC3Architecture and I Love My Architect, is currently seeking reciprocity as a Registered Architect in the following states:
- District of Columbia
- Florida
- Maryland
- Virginia
Once processed and finalized, Frank will be able to legally practice Architecture in the states listed above, along with the the states he is currently licensed:
- Connecticut
- Delaware
- New Jersey
- New York
- Pennsylvania
Additionally, Frank Cunha III, has become a USGBC Green Associate (click here for more information).
Join us in congratulating Frank on his new accreditation and wishing him luck on his future licenses!
I.L.M.A. Team
I Love My Architect – Facebook
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Kazushi Takahashi: From Ship Builder to Architect
Posted: May 22, 2013 Filed under: Architecture | Tags: Architect, Architecture, career, Cool, Design, ILMA, Modern 2 Comments »Kazushi Takahashi, a seventh-generation Japanese shipbuilder decided to apply his engineering skills to the design and creation of modernist architecture. pingmag features an interview with the shipbuilder turned architect and a series of his completed works. they previously featured a tour of takahashi’s studio.
Architect Kazushi says:
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Frank Cunha III
I Love My Architect – Facebook
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
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Licensed in NJ, NY, PA, DE, CT.
Inspire (Spire)
Posted: May 10, 2013 Filed under: Architecture | Tags: 911, Architecture, DesignAllDayAndNight, FC3, ILMA, Inspire, NYC, Spire, TGIF, WTC 2 Comments »Associated Press
To cheers from spectators and workers alike, construction crews set a silver spire atop New York City’s One World Trade Center on Friday to bring the structure to its full 1,776 height and cap an emotional 12-year effort to restore a key part of the city skyline shattered by the 9/11 terror attacks.
The 408-foot spire, which weighs 758 tons, includes a broadcast antenna and a light that will be visible from miles away to serve as a both a beacon for aircraft and a permanent signal of triumph over extremists who jolted the city and the country.
“This really is a symbolic moment because this building really represents the resiliency of this country,” Port Authority Vice Chair Scott Rechler told TODAY’s Matt Lauer, who was perched on the 104th floor to witness the process. “These people, the thousand men and women who have worked here tirelessly, really as a tribute for the people that perished on 9-11 right on this site.”
The needle will be held in place by a temporary structure until iron workers finish off the permanent base in the coming weeks.
The 1,776 feet — or 541 meters — is symbolic of the year 1776, when the U.S. declared its independence.
The building is rising at the northwest corner of the site where the twin towers were destroyed in the Sept. 11, 2001, terror attacks. The area is well on its way to reconstruction with the 72-story Four World Trade Center and other buildings.
The tower is slated to open for business in 2014. Tenants include the magazine publisher Conde Nast, the government’s General Services Administration and Vantone Holdings China Center, which will provide business space for international companies.
The elegant spire gives the building the extra height needed to claim the status as the tallest structure in the U.S. and the third-tallest in the world, although building experts dispute whether the spire is actually an antenna — a crucial distinction in measuring the building’s height.
Without the spire, the One World Trade Center would be looking up at the Willis Tower in Chicago, which tops out at 1,451 feet, not including its own antennas.
The Council on Tall Buildings and Urban Habitat, a Chicago-based organization considered an authority on such records, says an antenna is something simply added to the top of a tower that can be removed. By contrast, a spire is something that is part of the building’s architectural design.
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Frank Cunha III
I Love My Architect – Facebook
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in NJ, NY, PA, DE, CT.
De Rietlanden Sports Facility by Slangen + Koenis Architects
Posted: May 5, 2013 Filed under: Architecture | Tags: Architecture, Color, Dutch, Euro, European, ILMA, Modern, Netherlands, Slangen + Koenis Architects Leave a comment »Project size: 2.500 sqm
Duration: Sept 2010 – Aug 2012
Architect: Slangen + Koenis Architects
Chief Designers: Erik Slangen, Jakko Koenis
Team: Jetske Bömer, Bart Solinger, Vincent van Draanen
This sports hall in Lelystad, the Netherlands, is coloured in fluorescent shades of green, yellow and blue. The Architect, Slangen + Koenis Architects, formally known as Koppert + Koenis Architects, has previously designed another sports hall in the Netherlands, featuring a timber-framed structure.
Read the rest of the story by clicking here.
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We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.
If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!
Sincerely,
Frank Cunha III
I Love My Architect – Facebook
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in NJ, NY, PA, DE, CT.
Our Exclusive ILMA Interview with ADA Specialist, Marcela Abadi Rhoads @Abadi_Access
Posted: April 22, 2013 Filed under: Architecture, Expose | Tags: @Abadi_Access, Accessibility Guidelines, ada, ADAAG, Americans with Disabilities Act, Architect, Architecture, Interview, Marcela Abadi Rhoads Leave a comment »Marcela Abadi Rhoads, AIA RAS, whom I had the pleasure of meeting on Twitter, is the owner of Abadi Accessibility, an accessibility consulting firm that is dedicated to educating the building industry about the laws of accessibility. She received her Bachelor of Architecture in 1991 from the University of Texas in Austin and became a Registered architect in 1999 in Texas and a registered accessibility specialist in 2001. Marcela is sought after by owners and architects across the country who look to her for guidance to understand the accessibility standards throughout the design and construction process. She assists the building industry, in part, by performing plan reviews and inspection for TAS, producing a monthly newsletter to educate on the best way to apply the standards to their architectural projects, and wrote The ADA Companion Guide published John Wiley and Sons which explains the 2004 ADAAG.

“The ADA Companion Guide: Understanding the Americans with Disabilities Act Accessibility Guidelines (ADAAG) and the Architectural Barriers Act (ABA)” by Marcela A. Rhoads
When and why did you decide to become an Architect?
Ever since I was a little girl, about seven years old, I wanted to be an architect. My uncle was a Civil engineer, my cousin is an architect and my grandmother studied interior design. I was very influenced by them and what I would see. When I was a teenager, my other uncle went to the University of Texas to study engineering also, and told me that when I became an architect we could work together. What a great incentive. So the seed was planted.
What were some of the challenges of achieving your dream?
At the time I attended architecture school, male professors did not respect women. So I had to work extra hard to be respected. Another challenge was that I had NO idea how much art and drawing I was going to need. I thought it would be more mathematical. So although I loved to draw, I focused on physics and calculus in high school in preparation when I probably should have been taking more art and drawing. So my colleagues that came from that background did much better than me at first. But I slowly but surely caught up to them.
Later in life I was also challenged by the fact that I was a woman. Being a woman living in the South, looking young and being short did not elicit much confidence and respect. But I worked hard and proved myself. I am also not a great test taker (I get very nervous) so when I was ready to sit for my boards (ARE) I forgot everything I knew. It took me a couple of years to pass all my nine exams! But I did it! yay!
Any memorable clients or project highlights?
My very first solo project was the Dallas headquarters for Univision. I started out as the intern, but then the project manager quit in the middle and they put me in charge! Wow! I loved it. I became very close to the client (and we are still friends today) and saw the project go from design all the way to CA. It was amazing!
Another awesome highlight is when I was asked to write a book about the ADA (which is my passion!). John Wiley and Sons approached me after seeing my group on LinkedIn (Abadi Accessibility News Group) and asking me to write a book explaining the ADA. We called it “The ADA companion Guide: Understanding the ADA”. It was the most exciting thing ever! And then they liked working with me so they asked me for a second book that just came out in March called “Applying the ADA”. I collaborated with three other architects friends of mine to develop a case study book on the ADA. I think it came out really nicely.
How do you balance design with your family life?
That is one of my biggest challenges. I decided to start my own firm when I became pregnant with my first child for that very reason. I have my work at home, so my kids always see me here (unless I am in meetings). I try to schedule all my meetings and travels during the day while they are at school, so I can be home with them in the evening. Lucky for me I am an observant Jewish woman who keeps the Sabbath. That makes me take one day off every week (no matter what). That day I spend with my family. But during the week, I may not sleep as much when I have deadlines. I work after the kids go to bed, or after my husband goes to bed. I really try to give them my priority. That is really difficult and I am so busy.
How does your family support what you do?
They are great! They really never complain. I do hear them when they say they want me to do something with them. I make time for them so they allow me time for my work. They are really awesome! I remember when I was writing my two books and all the number of hours that I would spend on it, and my family was very supportive and understanding. It also helps to have my husband also be an architect….but that is a different question
How do Architects measure success?
I think happy clients which then either return or give me referrals are my gauge. If I have a project, even if it was not perfect, but after I work with my clients they are happy at the end, I think that is success!
What matters most to you in design?
For me if a design is thoughtful to its users that is the most important thing. We can all design what we want, but if it does not work with what the end user needs it to do, then it is an exercise in ego boosting. It is very important to me to have a project that is designed so that everyone can use it and is universally thoughtful.
What are the challenges you face realizing your vision?
Time. There is never enough time in a day to do all I want to do. So I have to learn how to prioritize and not do everything.
How do you translate the client’s vision to meet your own design expectations?
I try to put my ego aside, but also be a guide for my clients. I hear what they are ultimately interested in seeing, and then I try to find them solutions that would be good design and also meet their expectations. Most of the time they are looking for my input anyway, so that is not so hard. When they have an idea in mind that doesn’t meet mine, I try and listen and adapt my ideas to theirs, but still guide them in a path that I will be happy to see.

“Applying the ADA: Designing for The 2010 Americans with Disabilities Act Standards for Accessible Design in Multiple Building Types” by Marcela A. Rhoads
What do you hope to achieve over the next 20-30 years?
I would love to have more people working for me so I can devote my time to marketing and relationship building. I would love to be the person who meets the clients, come up with a great design for them and then comes back to the office and delegates the work to my other architects. I am hoping that will happen by then. I don’t ever think I will retire, though. Being an architect is in my DNA. It is who I am, not what I do. So in 30 years when I am in retiring age, I still hope to be designing.
Where do you see the profession going over the next few decades?
Our profession is ever evolving. The involvement that design professionals have on projects is always a big issue. I would hope that through education and advocacy we can have architects be the leaders we once were. That is what I’m hoping to contribute.
How do you hope to inspire / mentor the next generation of Architects?
I hope to instill the passion for architecture to the young architects by attending AIA events, volunteering to lecture and educate about universal design, ADA and how we can design environments that are usable and inclusive for all. I have a strong passion about that, and I hope to bring that passion to the younger generation and try to teach them about how a great architect influences our profession and our society.
Marcela’s Contact Information
You can get in touch with Marcela via her website www.abadiaccess.com or email her at marhoads@abadiaccess.com
You can also purchase her books by clicking here.
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We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.
If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!
Have a great weekend!
Sincerely,
Frank Cunha III
I Love My Architect – Facebook
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
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Licensed in NJ, NY, PA, DE, CT.
Modern Retreat in Argentina, “Casa BB” by BAK Arquitectos
Posted: April 16, 2013 Filed under: Architecture | Tags: Architect, Architecture, Awesome, babfari, Design, design all night, DesignAllDayAndNight, diseñar toda la noche, diseño, dulce, el amor, el arquitecto, FC3, grande, Great, impresionante, la arquitectura, Love, Minimal, Minimalism, minimalismo, minimalist, minimalista, Modern, moderno, retiro, retreat, Sweet 2 Comments »The design of this house is a continuation of a ‘building in the forest’ research done by BAK arquitectos, which started in 2004 with the design of their first house in Mar Azul. The architects examine the possibility of building without losing the environmental quality of the site, proposing alternatives to ensure the survival of natural environments. This involves a Minimal Architecture in terms of not only of form but in materials and particularly minimum site intervention. This is achieved by ‘listening to the forest’ and what the site tries to communicate, along with practicing ‘seeing for the first time’ on behalf of the architects.
The low budget along with the no maintenance requirement set the aesthetic and construction limitations of the project. High compact, waterproof, fair faced concrete provided the necessary insulation and covered the no maintenance factor. The use of glass captures natural light and allows views of the landscape in all directions.
Casa JD has two bedrooms with the flexibility to transform part of the large living/dining space into a third one, a kitchen as well as generous outdoor spaces. The design concept is based on two intersecting prisms situated on a naturally inclined site within the trees, in this way hiding part of its volume. The trees seem to penetrate the house as wood, along with concrete, is a predominant feature of its interior. Wooden steps and a deck lead to the living room. Wooden sliding panels provide a seamless continuation of the exterior and the interior. This level of access is a unique space where different uses are defined by height differences caused by the intersection of prisms and cross sections of concrete walls. Except for the beds, couches and chairs the rest of the equipment of this housing is concrete cast.
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